IN DEFENSE
Cindy Maddera
I rarely take the hook, but there was something about a particular posting that I couldn’t resist commenting on. A facebook “friend” (yes, I’m still there. I have reasons) posted about the Grammys and the unbelievable audacity to award Beyonce with a Grammy for Best Country Album. The person already had three comments on the post all along the lines of “What is the world coming to?!” So I chimed in my two cents.
Beyonce's country album is great and totally deserving. You can really hear the influences of early country music and gospel in many of the songs. The grammy was intended for "country album" not "Country artist". So she fit well in that category. Growing up when country music was dominated by white men singing about drinking whiskey and cheating on their wives, it's refreshing to hear some diversity.
This comment is completely heartfelt. I am not a ‘woke’ person when it comes to music. I tend to listen to a playlist of the same artists ranging from Neko Case to First Aid Kit, I throw in the occasional Andrew Bird and the National, and have stations that reflect these artists. But I feel it is important to broaden my listening because it’s like traveling to new places. It opens my ears up to new sounds and ideas. It is an empathy builder. Often times, I throw on my headphones before heading off for my coffee walk and pick an artist that is not in my everyday list. Just this morning, I was listening to Douchii and having a dance party at my desk. Beyonce happens to be another one of those artists and I’m not going to lie. I like a number of her songs and I really enjoy her country album for the reasons already stated. I prefer the sound of earlier country music as opposed to today’s country tunes. This is why I often listen to Yola, who sings an old bluesy style of country. Today’s country, to me, sounds like fake country accents rapping to a banjo.
if you’re into listening to two dogs fuckin then sure I get ya other than that it’s pretty dumb
This was the reply left to my comment regarding Beyonce’s win. It is far from constructive and straight up racially inspired hateful. I was a little surprised, but I guess this is something this person feels passionately about considering they were willing to speak to their yoga teacher that way. Yes, this person used to be a regular yoga student. I left it alone. Melissa (who is a mutual Facebook ‘friend’) saw all of it and sent me a text. We’ve decided that Two Dogs Fuckin’ may be our new band name. But the exchange left me pondering what it was/is about Beyonce that induces such violent and visceral reactions. Particularly from suburban white women.
I remember hearing the hoopla and ridiculousness over the release of a country album by Beyonce. Radio stations in Nashville railed against it. Other country artists screamed hatefulness over it. “She’s not country!” “What could she possibly know about country?!?!” “She needs to stay in her lane.” So quickly these people had forgotten the African American influence on country artists. They did not throw such fits when Darius Rucker moved away from Hootie and the Blowfish to country music. Jelly Roll seemed to easily slide from rap into the country scene. Beyonce was born and raised in Houston Texas. I mean…that’s a big boots and chaps and cowboy hats kind of town. She grew up in country music and gospel. Also, these people are artists. Artists explore and experiment with different art forms all the time.
So why is it a problem that Beyonce has done this?
I can only guess that much of the hate thrown at Beyonce stems from not just the color of her skin, but that she is female. Resentment and jealousy genetically passed down starting with antebellum white women who watched their slave owning husbands sire child after child with his slave women. In that patriarchal landscape, the only place the white woman could put her pain and resentment was on that slave woman and the child. Thus began a systemic system of turning jealousy into hatefulness towards other women and particularly women of color. This could have been an excellent opportunity for women supporting women, but no, we once again let misogyny and racism win. Those white suburban women still believe that there is a specific place for everyone. Everyone must fit into their constructed social normative box. This is why they cannot tolerate the LGTBQ+, they’re people that do not fit in a specific place and a strong talented successful black woman blows up their little boxes.
I think if these women truly listened to Beyonce’s music they would discover a lot of commonality. Beyonce presents herself as strong and fierce, but you can hear in her music that she carries all the same insecurities as everyone else and shifting through the hatefulness just to read some constructive criticism probably feels impossible. And when they announced her name at the Grammys, the shock of winning was clearly evident on her face. She had received so much hate by releasing a country album that she probably struggled to comprehend a win in this category; because it is so much easier to see the hate that’s thrown at you than the good.
I don’t know what the sound of two dogs fucking is, not sure I’ve ever heard that, but if that’s the sound of this album then I guess I like it.