KNOWING THE ASSIGNMENT
Cindy Maddera
Michael is my spotter when we are traveling together. It isn’t an easy job. I am a dangerous photographer, often standing in the middle of a street or climbing out the sunroof of his truck. But he knows the assignment and he executes it well. Mostly he performs the job because he’s terrified for me and I’m going to do these things with or without a spotter. He always gives me a count down for how long I can stay in a dangerous moment. The only times he has stepped away from his job are the moments when I’m leaving Chris somewhere. He says he’s giving me space, but I suspect part of it comes from it being uncomfortable for him. There’s just so much about death that makes people uncomfortable from the human remains to the reminder of the temporary state of life.
This time, I didn’t give him a choice. I used the magic words: “I need you.”
On our first real day in Paris, we went to the Musee d’Orsay and was met with a Disneyland-esq sized line. I made a half hearted attempt to buy online tickets, but they were sold out for the day. So we wandered over to Jardin Des Tuileries. I had read that Victor Hugo was sitting in this park when he heard the gunshots that was the beginning of the June Rebellion in 1932. This would inspire him to write Les Miserables. Les Miserables happened to be one of Chris’s favorites, both the book and musical inspired by the book. So when I started thinking about where I would leave Chris in Paris, this seemed like the most fitting place. A park that birthed the story of rebellion, loss and love seemed ideal.
We wandered into the park and I started scanning the area. I thought maybe a park bench with a nice view would be a good choice, but the park was filled with people. I needed a quiet, isolated spot. We ended up near the Musee de l’Orangerie on a wide walking path. There’s a sculpture there by Paul Maximilien Landowski called The Sons of Cain.
Is this not all of mankind? The man of the fields, the poet, the city worker. - Paul Maximilien Landowski
Michael pointed it out because Michael is a plaque reader. He’s the guy holding up traffic in museums reading all of the plaques. It was an easy decision that this would be Chris’s view. Michael helped me find a secluded spot at the base of a tree that would give Chris his view , as well as good lighting for the photo I would take. Then he kept watch while I poured out my little bag of ashes and gave me a countdown for how long I had to take a photo without people walking through. These events have to move quickly and I’ve become adept at pouring out ashes and taking photos. When I stood up, Michael said “That’s some Gonzo shit right there.” and I turned to him and said “Thank you.” Actually, I said more than that. I told him that I really had needed him this time and that I was grateful for his help. I managed to get this out before my voice cracked with the tears that were starting. Then he held me while I cried. I’ve done this a number of times, enough to become used to it and not get emotional. But this one…this was a big one.
This was Paris.
And Michael understood the assignment.